My musical path ignited in the 1990s, composing for Wrocław’s experimental stages—both the puppet theatre and Studio Theatre, rooted in the legacy of Jerzy Grotowski. My ensemble Arka earned top honors at the Latin American Music Festival in Łódź for reconstructing Aztec ritual soundscapes. Decades later, during the quiet of the pandemic and solitude in a forest residency in Brandenburg, I returned to sound—intuitively and intensely. I built instruments and installations, tactile and diverse, shaped from wood, metal, and found objects. Today, I create a sonic garden for a Polish town and develop sound theatre—a performative language of symbolic narratives told through acoustic instruments alone.
No electronics, no words—only vibration, gesture, resonance.